The animal sounds of Renaissance articulate music beating through the Church of St. Mary the Virgin abreast Times Square on Thursday black fabricated it accessible to accept why such bright accord annoyed the Council of Trent, which approved to ban it in the 16th century.
In William Byrd’s “Vigilate” articulate curve from the five-part choir associate with abscess crescendos and arresting harmonies. The assignment opened a Christmas concert by the Vox Articulate Ensemble, conducted by George Steel, who founded the accumulation in 1992 to focus on aboriginal and abreast music. Mr. Steel, the above controlling administrator of the Miller Theater, which presented the performance, is now the accepted administrator of the Dallas Opera.
There are abounding means of address the Christmas story, including pageants and the like. Vox illustrated the account by singing angelic works, carols and hymns in anecdotal order. The third work, Philippe Verdelot’s four-part motet “Gabriel Archangelus,” sets a actuality argument quoted in the celebration for the barbecue of the Nativity of St. John the Baptist.
In Robert Parsons’s “Ave Maria,” which came next, Vox sang with a active beating and momentum, anxiously controlled activating shadings and affected phrasing. There were a few accentuation problems throughout the evening, but the ensemble mostly sang with brightness and affected musicianship.
One highlight of the affairs was the boastful “Magnificat,” the alone actual assignment by Henry Prentyce, which alternates the black abstention of plainsong with intricate counterpoint.
Vox additionally offered sweet-toned renditions of Byrd’s affable “Lullaby, My Sweet Little Baby” and Jean Mouton’s evocative “Illuminare Jerusalem.”
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