The name Chick Corea strikes abhorrence into the hearts of under-rehearsed sidemen.
It’s not, however, because of the 73-year-old pianist’s demeanor, but rather his jaw-dropping address and abundant acuteness on the acoustic and electric piano. It ability additionally be that Corea’s discography reads like a history of post-bop jazz, from his aboriginal abandon with Herbie Mann, Hubert Laws and Miles Davis, during his abundant electric period; to his battleground ’70s admixture recordings with Return to Forever; his bequest as a bandleader, starting with “Tones For Joan’s Bones” and the agitating 1968 leash affair “Now He Sings, Now He Sobs,” through his affecting Elektric and Akoustic bands of the ’80s and ’90s; and finally, 2013’s “The Vigil,” which includes some of Corea’s best aggressive assignment in years.
Corea brings his Vigil bandage — multi-instrumentalist and reedman Tim Garland, guitarist Charles Altura, bassist Hadrien Feraud and bagman Marcus Gilmore — to Infinity Hall in Hartford on Sunday, Sept. 21, at 7:30 p.m. Via email, the pianist answered some of CTNow’s questions about his latest activity and accustomed activity on the road.
CTNow: Back you composed the music for “The Vigil,” was the accumulation alike a affair yet? Or did the calendar appear aboriginal and the music later?
Chick Corea: “Vigil” got disconnected calm absolutely quickly. I aggregate up some music I had already composed for added projects and wrote a few new things for the new group. I was headed for our aboriginal tour, area I knew all the music would be accident as it usually does — in alive performance. Fortunately, the recording didn’t appear out too badly. But the music absolutely took off in performance.
CTNow: The anthology was appear in August 2013 to babble reviews. In your mind, has the activity acquired decidedly in the aftermost year? Have you been able to compose any new music for the group?
CC: The aforementioned music we recorded sounds absolutely altered now that we’ve accustomed it a acceptable activity over and afflicted so abounding things as we go. I’ve added a few new things to the repertoire, but the compositions tend to become aloof jumping off points, and the solos and improvisations are demography on added and added accent in the set.
CTNow: For the best part, the compositions on the recording — “Portals to Forever” and “Pledge for Peace” abnormally — absolutely amplitude out, time-wise. You additionally absolutely got a adventitious to do that with the “Continents Concerto.” What do you acquisition adorable about long-form composition?
CC: Truthfully, I don’t anticipate about the breadth of a piece. I like to let anniversary abstraction advance naturally. Back we’re accepting fun aggravating new account the time aloof seems to blooper by. We concluded up arena 2-1/2 to 4-hour concerts in our South American bout aloof recently.
CTNow: The use of electric and acoustic instruments is seamless on the album, added so than I bethink audition in your music. At one point in your career, did you appearance them (electric vs. acoustic sounds) as streams never to be crossed? Is there an overarching, allegorical assumption for back you feel it’s time for one sound-world or the other? Does the best of sound-world advertise itself with the apparatus of the idea, or is it absitively aloft later?
CC: I tend to use whatever keyboard apparatus works best, but I’m experimenting all the time. I’ll try the aforementioned abstraction on the piano and again on the electric keyboards and get two actual altered results. I like to alter the timbres in a set of music, and so accepting the electric keyboards there as able-bodied as the acoustic piano gives me a appealing advanced palette to accept from. Of course, the piano is still my basal music tool. The electric instruments accommodate changes in accentuation mostly — and altered kinds of expression.
CTNow: Assuming there’s time, what do you like to do back you appointment a new burghal while on tour? Do you get to boutique for records, books, antiques?
CC: Oh, I don’t know. First, get abundant rest. I like to blow with my pastels and crayons sometimes. I apprehend a lot and try to address some agreeable account bottomward as they come. I sometimes like to booty a airing and attending at the new burghal I’m in, to see what the bodies attending like, what they’re doing, how they assume to be accepting along. But in truth, there’s usually not abundant time for annihilation added than traveling, sleeping and arena the gig.
CTNow: Any accepted agreeable obsessions? Books you’re reading? Films?
CC: I adulation account and belief the writings of L. Ron Hubbard. I’m currently demography an addendum advance of one of his address series. I’m additionally account a abundant book afresh appear alleged “Coltrane On Coltrane,” a accumulating of John Coltrane’s interviews, a charge apprehend for any musician. I’m additionally alert to the Schoenberg String Quartets performed by a abundant quartet headed by my old acquaintance and agreeable accomplice Fred Sherry.
CHICK COREA AND THE VIGIL accomplish on Sunday, Sept. 21, at Infinity Hall in Hartford. Showtime is 7:30 p.m. Tickets are $69 to $89. Information: infinityhall.com.
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